the return of the native chapter wise summary
Thus he spends a good deal of time in these opening pages describing the locals, who seem more pagan than Christian in their attitudes: they never attend church, celebrate a pagan custom by lighting bonfires to ward off the oncoming winter, and enjoy dancing and drinking above all else. The night sky is lit by a number of these bonfires. Visit BN.com to buy new and used textbooks, and check out our award-winning NOOK tablets and eReaders. It turns out that Thomasin and Damon Wildeve were not married that day: they had gone to Anglebury to be married, but there was a technical problem with the marriage license, and Thomasin, upset, had run away. Clym meets Eustacia, in her own person this time, and is strongly attracted to her, an attraction that Mrs. Yeobright argues against. Walking home from the bonfire, Olly Dowden has a conversation with Mrs. Yeobright in which they discuss Mrs. Yeobright's resistance to her niece's marriage, and eventual acquiescence. SparkNotes is brought to you by Barnes & Noble. Thomasin tries to get back home, finally with Venn's assistance. Thomasin and Damon try to elope, but botch it. Because of the novel's controversial themes, Hardy had some difficulty finding a publisher; reviews, however, though somewhat mixed, were generally positive. They do marry, with Eustacia serving as witness. Venn, protecting Thomasin, wins it back from Wildeve, but not understanding that part of it should go to Clym, Venn he delivers it all to Thomasin. She leaves his house to return to Captain Vye's. Thomasin, has suspicions about Wildeve. Mrs. Yeobright disapproves, thinking Clym's career goals do not show enough ambition. A native returning to his own birthplace of Dorchester, the area in England on which the fictional Wessex is based, Hardy wanted to recapture the feel of the country in his novels. In the van is a young woman whose identity Venn rudely conceals from the elderly hiker. It is both "an installment of night" and an object of delicate, intricate beauty. He is somewhat casual about the whole affair, but eventually agrees. Cantle loses the money gambling with Wildeve, who wants revenge on his wife's aunt for not trusting him with the money. This may be seen as an instance of the unreliability of the narrator, but it may also be seen as proof of the heath's evasion of all simple descriptions: it is so much greater than civilized man that it defies his attempts at limiting and defining it. Eustacia and Clym for a time live a secluded life. The heath is a "vast tract of unenclosed wild," a somber, windswept stretch of brown hills and valleys, virtually treeless, covered in briars and thorn-bushes: "the storm was its lover, and the wind was its friend." In the … Just minutes after the reddleman departs, Mrs. Yeobright arrives at the bonfire. All rights reserved. Persuaded by Venn to forget her pride and call on her son, Mrs. Yeobright starts the long walk to his house on a hot August day. The novel opens with the action of the plot already underway. Though he is rejected, the aunt uses him as a means to put pressure on Wildeve. More subtly, all of the characters seem defined, emotionally and even physically, by their relationships to the heath. A bonfire is lit for her when the Fifth of November comes, an inadvertent signal to Wildeve, who offers to help Eustacia get away from the heath to Paris. The Egdon heath locals arrive on the barrow carrying furze faggots, which are bundles of … The heath is named before any of the characters are: indeed, in the second chapter, Diggory Venn and Captain Vye remain anonymous, merely outgrowths of the heath (especially the nomadic Diggory, who, dyed entirely red, seems an incarnation of the savage heath itself). When they part ways, Mrs. Yeobright runs into the reddleman, whom she recognizes as Diggory Venn, the son of a local dairyman, and who reveals to her that Thomasin Yeobright is the woman asleep in the back of the wagon. Paganism in general is a recurrent theme throughout the novel. In marrying Eustacia, Clym distances himself from his mother. Yet distance soon begins to grow between the newlyweds as well. He accuses Eustacia of cruelty to his mother. It is fitting that the novel open with a chapter characterizing Egdon Heath. This criticism deeply upset Hardy, who placed great importance in a realistic depiction of local life, custom and language.

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